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Putting a watermark on a photograph

A watermark says who made a picture without getting in the way of it. That is a real balance rather than a slider position: a mark nobody notices is not doing its job, and a mark nobody can see past has ruined the photograph. This walks through placing one, and is honest about what it protects.

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Words, or your own logo

Two kinds of mark. Type words — a name, a studio, a URL — and they are drawn onto the picture. Or give the address of a logo image and that is drawn on instead, which is the one to use if you have a mark of your own already.

A URL is often the better text than a name: somebody who sees the picture somewhere else can act on a URL, whereas a name only tells them a name.

The tool is at Add a watermark to an image.

The watermark page before uploading, with a drop zone reading "Drop your image here".
One picture at a time: where a mark should sit depends on the picture.

Place it, size it, and set how strong it is

The mark appears on the stage as you type, in the position you have chosen, at the size and strength you have set — so this is done by looking rather than by guessing.

The bottom right is the default and the usual choice, because it stays out of most compositions and it is where people look last. Move it if that corner is where the interesting part of your photograph happens to be.

Sixty per cent opacity is the starting point: present, not shouting. Size is set as a fraction of the picture rather than in pixels, which matters — a mark specified in pixels is either invisible on a large photograph or enormous on a small one, and a mark specified as six per cent of the width is the same weight on both.

A photograph on the editing stage with the words "Nadia Rahman Photography" drawn across the bottom right corner, and the watermark controls beneath it.
The mark is previewed where it will actually sit, at the strength it will actually have.

Take the marked file, and keep the original

One file, marked and compressed in the same pass. The mark is burned into the pixels — it is not a layer, and there is no version of the file underneath with the mark removed.

Which cuts both ways: keep your unmarked original somewhere. There is no undo for a watermark once this is the only copy you have.

The result panel after the download, reading the percentage saved and the size the marked image came down to.
Marked and optimised together. Keep the unmarked original elsewhere — this file has no layer to peel off.

Worth knowing

What a watermark actually achieves

It deters casual reuse and it credits you when a picture travels. It does not prevent anything. A corner mark can be cropped off in seconds, and a semi-transparent one can be painted out with the tools built into most photo editors.

So the sensible expectation is a signpost rather than a lock. If a picture genuinely must not be reused, the answer is not to publish it at full resolution — a watermark on a 4000-pixel file is an inconvenience, not a defence.

On a light photograph, white words disappear

The default mark is white, which is right for most photographs and wrong for a pale one — over a bright sky or a white studio background it fades to nothing. Switch it to a dark colour for those, or move it onto a darker part of the picture.

If the whole photograph is too bright for any mark to read, darkening it slightly first solves that and the same problem for any text you were going to add.

Is it uploaded before the mark is added

The preview is drawn in your browser and nothing is sent while you are adjusting it. The mark is applied on the way to the download, so the marked version is what leaves — at no point does an unmarked copy of your picture sit on a server waiting to be marked. The privacy notice sets out what does happen to it, in the terms that count.

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Next: How to darken a photo so text can sit on it · How to flip or mirror a photo